Believe it or not, there is an actual anatomy and science to the query. And you won’t learn this in college. I learned it in Hollywood. Never tell anyone you’ve written a novel unless you can pitch it because the next question they inevitably ask is “What is it about?” In my case the people asking were producers, actors, models, production managers, film financiers, and I really sucked at pitching it. I could see it when their eyes sort of flicked over my shoulder at something more interesting. You’ve got to keep the pitch short and sweet. Hook ‘em and leave ‘em wanting more. Not drifting toward the coffee machine. Same goes for the written query. You must grab your readers attention because they have hundreds of other queries in their inbox. And donuts in the breakroom. Read MoreShare on Facebook
Posted by Sarah Isaacson On January 3rd, 2015
Posted by Sarah Isaacson On March 10th, 2013
When you’ve completed your novel/script and are now ready to edit the best way I’ve found to deepen the character, plot, etc is to list the most important aspects of the piece and sift through each aspect individually—tackling each aspect one by one. Here are a few of the most important aspects of my novel that drive my character’s thoughts and actions: humor, romance, and culture. This isn’t everything (just the first three. Also included for a second round of editing is: horror, sexiness/charm factors, fear, and betrayal). I know, you can’t wait to read it now.
I already showed you a bunch of circles in my last post because they related to writing the novel—not editing. Editing is a triangle—not a straight line—at least not for this process. Grammar and Syntax are absolutely a straight line.
A quick little review of the three most important circles of writing life:
If you read my last post you know what that means. If you don’t, go read it. Read MoreShare on Facebook